Louise Élisabeth Vigée Le Brun, Paris

 

Madame Grand, 1783. Élisabeth Louise Vigée Le Brun

Detail. Madame Grand, 1783. Élisabeth Louise Vigée Le Brun

There were a small number of eighteenth century women artists that became prominent for their talent and teaching, the stylistic innovations they created, and their influence on other artists. Nowhere can this be better seen than in the life and works of the French painter Louise Élisabeth Vigée Le Brun. Read more

Liberace on Anatomy

Battle of the Nude Men by Antonio del Pollaiuolo, 1465–1475. Engraving 42.4 x 60.9 cm

Battle of the Nude Men by Antonio del Pollaiuolo, 1465–1475. Engraving 42.4 x 60.9 cm

Italian Renaissance artists became anatomists by necessity. They were attempting to refine a more lifelike human figure, even though opportunities to help their knowledge by direct anatomical dissection were restricted. In Vasari’s Lives of the Artists, he states that the sculptor, painter, and printmaker Antonio Pollaiuolo (1431–1498) was the “first master to skin many human bodies in order to investigate the muscles and understand the nude in a more modern way.” We can see his knowledge displayed beautifully in Pollaiuolo’s engraving Battle of Naked Men. The nude warriors are in extreme action showing their nearly flayed musculature. Read more

TWO drawing exhibitions in Paris

Man reclining

Louis de Boullogne (1654 – 1733)

IMG_5638Last month I went to two drawing exhibitions in Paris, both in one day. What a delight. Firstly a trip to Drawing Now held in the newly restored Carreau du Temple in the Haut Marais, then in the afternoon to Salon du Dessin not far away at the old stock exchange, the Palais de la Bourse. A Temple and a Palace, both full of drawings, but there was a major difference between the two.

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